The premise of the movie “Noelle” is that Santa Claus is a family business, with each Santa passing the pom-pom to his son. A few months ago, the last Santa died, and the responsibilty to pilot the sleigh falls on son Nick, who doesn’t want to do it and is terrible at it. Nick’s sister, Noelle, advises him to take a weekend to relax in someplace warm, and he does so—and disappears.

Now everybody in the North Pole is mad at Noelle. “Noelle” continues the tradition of “Rudolph the Red-Nosed Reindeer” in portraying most of the denizens of Santa’s village as jerks.

Noelle tracks Nick to Phoenix, where Nick has reinvented himself as a yoga instructor, and she attempts to get him to return to the North Pole and fulfill his responsibility.

All of this is in the movie trailer, and if you watch the trailer, you can figure out how the movie ends.

Noelle is played with, well, elfen adorableness by Anna Kendrick of the “Pitch Perfect” trilogy, which I haven’t seen, and the 2009 Great Recession dark comedy “Up in the Air,” starring George Clooney as a consultant who specializes in laying people off. I did see that one—on the day I myself got laid off—and loved it.

Nick is played with gormless charm by Bill Hader, of “Saturday Night Live” and “Barry.”

Also featured are Shirley MacLaine as a grouchy elf; Julie “Airplane” Hagerty as Mrs. Claus; and several scene-stealing CGI reindeer, particularly a little white reindeer named Snow-Cone.

Kingsley Ben-Adir plays a divorced father facing his first Christmas alone without his family, in a storyline that’s surprisingly moving for such a fluffy movie.

Both Julie and I enjoyed “Noelle.”

“Noelle” is the latest of my ongoing series of completely avoiding important or consequential entertainment, because the news is consequential enough, inspired by John Scalzi’s December Comfort Watches.

Here’s Scalzi’s review of “Noelle.”, from which I learn that “Noelle” was written and directed by Marc Lawrence, who also wrote and directed “Music & Lyrics,” which starred Hugh Grant as a washed-up 80s pop music star who experiences a career comeback as a songwriter after he meets and partners with aspiring lyricist Drew Barrymore. “Music & Lyrics” is a solid romantic comedy—like “Noelle,” it’s fluff entertainment—and also a surprisingly thoughtful exploration of the value of fluff entertainment. I’d like to see “Music & Lyrics” again.